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The Crisis of Whiteness.

Screen Saviors

The study cuts through 84 years of films with many specific and accurate analyses. It will give instructors a new perspective and students tough questions to ask in many classes.

Screen Saviors is an important contribution to cinema studies and to the growing body of scholarship devoted to the study of white identity. This book reveals the diverse, often disturbing ways in which movies manufacture the 'white self,' the image and the story of whiteness articulated by white film makers.


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Avoiding polemical posturing and relying upon historical analysis, the authors provide us with an insightful project that is written with clarity and care. There's plenty to enjoy.


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Screen Saviors studies how the self of whites is imagined in Hollywood movies--by white directors featuring white protagonists interacting with people of another color. This collaboration by a sociologist and a film critic, using the new perspective of critical "white studies," offers a bold and sweeping critique of almost a century's worth of American film, from Birth of Nation through Black Hawk Down Screen Saviors studies the way in which the social relations that we call "race" are fictionalized and pictured in the movies.

Project MUSE - Screen Saviors: Hollywood Fictions of Whiteness (review)

It argues that films are part of broader projects that lead us to ignore or deny the nature of the racial divide in which Americans live. Even as the images of racial and ethnic minorities change across the twentieth century, Hollywood keeps portraying the ideal white American self as good-looking, powerful, brave, cordial, kind, firm, and generous: The book invites readers to conduct their own analyses of films by showing how this can be done in over 50 Hollywood movies.

Screen Saviors studies the way in which the social relations that we call "race" are fictionalized and pictured in the movies. It argues that films are part of broader projects that lead us to ignore or deny the nature of the racial divide in which Americans live.

Screen saviors : Hollywood fictions of whiteness

Even as the images of racial and ethnic minorities change across the twentieth century, Hollywood keeps portraying the ideal white American self as good-looking, powerful, brave, cordial, kind, firm, and generous: The book invites readers to conduct their own analyses of films by showing how this can be done in over 50 Hollywood movies. This work in the sociology of knowledge and cultural studies relates the movies of Hollywood to the large political agendas on race relation in the United States. Screen Saviors appeals to the general reader interested in the movies or in race and ethnicity as well as to students of com Paperback , pages.

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Hollywood Fictions of Whiteness

This book is not yet featured on Listopia. Jul 31, Andrea rated it really liked it. This is a helpful introduction to analyzing the portrayal of whiteness in American film.


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The level of scholarship one author is film scholar, the other is sociologist is impressive given its accessibility. Oct 28, Katie rated it it was ok. The problem here is that the authors can't seem to make up their minds on many most films discussed. Even the ones that aren't are!

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I don't deny that institutionalized forms of racism, sexism, homophobia, religious discrimination, etc etc pervade pretty much everything in pop culture, but come on. It is fine to provide in-depth and often very smart critiques of film, but when the authors can't come up with one example of what a truly anti-racist film is or might look like, if there honestly aren't any credible examples , ultimately their arguments become meaningless and self-congratulatory.

I ended the book with a "Uh huh; I hear you. Jun 01, Janet rated it it was ok Shelves: A very interesting take on whiteness and race in movies. I think some of the arguments are a very far fetched. In addition, the authors annoyed me a lot by constantly making statements on behalf of white America I don't recall giving them my opinion or proxy to do so. The authors also state several times throughout the book that people in other countries and in ours as well believe in the depictions of the people that they see in the movies.

They say that many people who immigrate here have A very interesting take on whiteness and race in movies. They say that many people who immigrate here have a poor opinion of African Americans based on what they see in movies. Those easily influenced people need to learn to think for themselves and realize that movies are only for entertainment purposes.