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Please try again later. I enjoyed reading this book, it gave me a perspective on the stories that didn't seem possible in the various literature classes in school, which were too solopsistic and "What this story means to me" to be interesting. One person found this helpful. Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. Learn more about Amazon Giveaway. Set up a giveaway. There's a problem loading this menu right now. Get fast, free shipping with Amazon Prime. Your recently viewed items and featured recommendations.
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ComiXology Thousands of Digital Comics. I personally would not have been able to deal with him as a publisher or editor. I certainly would not have been able to deal with any his frustration of being rejected. Two points that were not touched on in this mammoth undertaking and a third remains controversial. They were his activities as an Intelligence Agent, the contents of his FBI File and the weapon that he committed suicide with.
It seems that he not only worked for the US Government but also for the Soviets. The FBI Files are a different story. Edgar Hoover was a strange man. He was a rough, tough guy and always for the underdog. It seems the craftsman followed instructions and cut it up, buried the remains in a field. With her effort, she has opened eyes and minds.
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- Ernest Hemingway: Volume 5 (Critical Heritage) by Jeffrey Meyers - lagranja design Book Archive.
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- Ernest Hemingway: A Biography by Mary V. Dearborn.
I was seventeen years old. I went to war in my 19th year. I returned home with no extra holes in my body, however, something was amiss. My drama came so slowly it was essentially imperceptible. I got no metals that would get me gratuitous attentions, nor did I ever speak or write of my experiences. I did have relationships with a number of exceptional women. I married only one and remained loyal to her until her death, forty two years later.
I now spend my life in a community of veterans of different wars, from World War II thru to present day. Each veteran has lived with the same intensity that Hemingway lived during June and July Some more intense, others less.
The differences are profound. Most, if not all the veterans I live with are willing to talk only to other veterans. Hemingway would talk to and wrote about the torrents of his life to anybody and everybody. My self-destructive behavior was limited to smoking tobacco and the occasional over indulgence of alcohol. He reserved the ultimate act for himself. I have endured twelve years beyond his tenure and continue to flourish. I never needed the idol worship that he seemed to thrive on. A Biography is touted as the first of Hemingway in 15 years, and the first by a woman.
Here we have both access to new material and a more insightful and sympathetic view of Hemingway's mental illness. Mary Dearborn makes a strong case that he was both manic depressive, alcoholic, and gender dysphoric. Suicide and mental illness were prominent in his family. It's easy enough to breeze over those parts if the reader only wants the meat. There may not be many earth-shaking revelations here, but there is a good deal of setting the record straight based on new information, and it looks as if more may be trickling out over the coming years.
A Biography tries to focus on the creation of the writer: There is no deep analysis of Hemingway's writings, nor does Dearborn dwell overlong on the semi-legendary events of his life. Instead she looks to see what influences formed him as a writer: Although Dearborn doesn't shy away from the sensational, even tawdry, parts of his life, she doesn't wallow in it either. There are, however, factors she mentions that I now won't be able to disregard as I read his books.
The book gives especial attention to Hemingway's four wives, each new relationship starting before the previous one had ended: Hemingway hated to be alone. Dearborn lets us virtually see his life through the eyes and lives of his wives, showing how deep these relationships were. He also inspired great love and loyalty, even if he didn't always return it. Hemingway was a serial monogamist, not a ladies' man. He could be cruel to friends and those who helped him. Early in life he was often manic, but later in life his depression began to take over.
Gertrude Stein was his son's godmother. Even early on acquaintances felt he was hiding a sensitive or vulnerable side by overacting the macho man.
He was jealous of Fitzgerald's success. He had a lifelong tendency toward androgyny "entangled with issues of gender, sexual identity, and sexuality. Even in the s as today critics attacked the man along with his work; as one said "Perhaps we really do know too much about Hemingway, or at least his public poses, to judge his work impartially. My negatives list for the book is short, minor, and typical of biographies these days.
First, as about half of all biographers seem to do, Dearborn refers to her subject by his first name, as if he was a friend or family member. Second, she occasionally wildly speculates about events and motivations with no evidence whatsoever, as if sitting over coffee or perhaps chatting in a book club.
Ernest Hemingway: A Biography
Although neither of these are rare, neither do they seem suitable for an author attempting a definitive work. But quibbling aside, although a lengthy and detailed book, which required some dedicated pushing through, it was never dry or boring, just long. Mary Dearborn is equitable and unbiased, mixing the bad and the good in proper measure, and her analysis is perceptive and generally accurate.
If you have the time, and are interested in a reappraisal of Hemingway, this is the book for you. I've been wanting to read Hemingway, and when I saw this I thought it might be a good place to start. Given the the treasure chest of information I now have, I'm curious if Ernest Hemingway: A Biography will enrich my reading, or distract. In fact, I have a fond memory of Mrs. Armstrong, my junior English teacher. She was a very fine teacher but never put up with my particular brand of B.
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She once assigned us a three page paper on The Sun Also Rises. I could only come up with a page and a half and genuinely thought I really had nothing more to say. I turned it in fully expecting a poor grade. For this reason and many others I always loved Hemingway's writing and his protagonists, but didn't know much about the man until I read A. Hochner's Papa Hemingway the summer after high school graduation.
I was captivated, like so many others by his adventurous life, in fact by his myth. This began a life-long fascination with Hemingway and his work, his transformation of experience into literature.. I read Carlos Baker's biography in the late 60's and most recently, Michael Reynolds multi-volume work plus miscellaneous other books on the subject. Last year I was fortunate enough to visit the Finca on a mission trip to Cuba. I wasn't sure Mary Dearborn would lend much to my understanding, but was pleasantly surprised to find her very insightful and evenhanded, neither overemphasizing Hemingway's more egregious behavior nor his many excellent qualities.
As I recall, Reynold's placed much of the blame for Ernest's erratic and less-then-sterling behavior in the 40's and 50's on his very strong family history of mental illness. He was undoubtedly a manic-depressive. Dearborn certainly agrees that this was a huge factor, but also points out his alcoholism and perhaps most significantly, his history of repeated head trauma beginning with his wounding in WWI. Finally the toxic mix of all three factors led to his sad decline in the 50's and suicide in She also ploughs new ground at least for me with her examination of Hemingway's hidden obsession with androgyny and sexual ambiguity.
All in all, a very fine biography. Nov 12, Bill Lucey rated it it was amazing. Author Mary Dearborn turned out a masterful biography on Ernest Hemingway, American novelist, short story writer, beginning with the launching of his celebrated writing career as a young precocious reporter for the Kansas City Star including foreign correspondent for the Toronto Star through winning a Pulitzer Prize not long before his suicide, killing himself with his favorite shotgun in Ketchum, Idaho. In between some of his greatest novels, "The Sun Also Rises", "A Farewell to Arms" " Author Mary Dearborn turned out a masterful biography on Ernest Hemingway, American novelist, short story writer, beginning with the launching of his celebrated writing career as a young precocious reporter for the Kansas City Star including foreign correspondent for the Toronto Star through winning a Pulitzer Prize not long before his suicide, killing himself with his favorite shotgun in Ketchum, Idaho.
We also learn away from the typewriter, Hemingway was as volcanic as his writing about shark attacks in the "Old Man and the Sea. As he got older, his health failed him more and more, attributable mostly to soaking his brain with excessive amounts of alcohol, compounding his manic-depressive state. He was a harsh critic of his peers as well, heaping poisoned arrows on the works of his contemporaries, including F. Scott Fitzgerald once his drinking companion and Gertrude Stein. But through it all, Dearborn cleverly shows how Hemingway in his prime was a great novelist who wrote with such clarity and precision about topics near and dear to his heart, namely, bull fighting, African safaris, the ravages of war, and fishing in the sea.
Jul 10, Fred rated it it was amazing. Not my favorite Hemingway bio that would be "Hemingway's Boat," but a worthwhile read. Dearborn can be annoyingly dismissive, brushing off the infamous lost manuscripts incident, for example, even though it bothered Hemingway enough that he regularly used it as a bludgeon against Hadley for the remainder of their relationship.
And her major focus is a post-modern analysis of Hemingway's hair and gender-switching fetishes, which while interesting to read how it flavored his work far past "The Not my favorite Hemingway bio that would be "Hemingway's Boat," but a worthwhile read. And her major focus is a post-modern analysis of Hemingway's hair and gender-switching fetishes, which while interesting to read how it flavored his work far past "The Garden of Eden" , is also a bit queazy-making.
The latter portion of the book feels rushed, with "The Old Man and the Sea" skimmed over, and "Moveable Feast" barely mentioned. As an aside, Dearborn apparently belongs to the faction that feels TOMatS is a minor work that wouldn't have received the acclaim it did if not for the "Across the River If you're a Hemingway enthusiast, a good book to add to your library. But I wouldn't encourage anyone to read it as a definitive biography of the man and the writer. Jun 17, Socraticgadfly rated it it was amazing Shelves: Must-read for Hemingway aficionados.
This is a great, great bio of Hemingway.
I don't always go in for psychologizing biographies, but I DO like them when it's a person who has a traumatic or otherwise complex or complicated psyche, and Hemingway certainly fits the case. Dearborn is great in general on the last few years of his life, detailing how what was indeed surely bipolar disorder flared up and grew worse, aggravated by the various traumatic brain injuries in World War II and later.
She also Must-read for Hemingway aficionados. She also shows how manic phases affected the quality, the floridity and more of his later writing, and how Papa vaguely seemed to recognize that, and even accept it to a degree, at times, while still being adamant that no editor was going to cut anything. Besides the heredity of mental illness along with physical trauma and childhood history, Dearborn is also able to give an excellent look at Hemingway the writer, Hemingway the writer molded by Pound and others, Hemingway the competitor in writing and other fields, and more.
Exhaustive in detail and exciting for the more recently uncovered information, this text is also perhaps the most anti-hagiographic book on Hemingway ever written. Get ready for some psychoanalysis, too: Persona deflation and forensic psychiatry aside, Dearborn never convincingly captures what was so Exhaustive in detail and exciting for the more recently uncovered information, this text is also perhaps the most anti-hagiographic book on Hemingway ever written.
Persona deflation and forensic psychiatry aside, Dearborn never convincingly captures what was so compelling about the guy to the people in his orbit, or why he became such an outsized legend, and clearly doesn't even like much of his writing. I recommend this as a chaser after any opposing, fawning biography, or even just as an impressive casting of 21st Century shade on the grandest literary celebrity of the 20th, but wouldn't start here on nonfiction about Hem or read it at all without working familiarity with most all of the dude's ouerve. I have probably read more about Hemingway then what he actually wrote.
Second full biography and a few topic type books on him. This one digs deeply into the character and psyche of the man, and it's not a very nice picture. Hemingway was all about image and personna, but going beneath that veneer was a fairly troubled individual who in spite of his many friends and acquaintances managed to alienate quite a few of them.
His family history and relationships with parents and siblings set the stage I have probably read more about Hemingway then what he actually wrote. His family history and relationships with parents and siblings set the stage for much of what played out in his life as is usually the case with most people. His writing much if not most autobiographically paints how he viewed himself as well as the many counter players. Dearborn captures much of these complexities and entanglements through his wives, family, and friends. His tragic decline was inevitable and despite that ending we cannot say the man did not live much larger then most.
Albeit in a world he created as much of fiction as his writing. Dec 02, Valerie rated it it was ok. This book was just okay. While this was a better read than Hemingway's Boat, it still was quite gossipy and at times was a chore to get through. Also she seems overly fixated on Hemingway's issues with sexuality. For Whom The Bell Tolls is not outdated. It's a fantastic story and it is not hard to read. Also, does it really matter if a man or a woman writes a biography of Hemingway? Why should she feel special because she wrote a This book was just okay. Why should she feel special because she wrote a bio of him?
Yes, Hemingway does come to symbolize the ideal masculine hero, despite all of his flaws, but women can still enjoy his works. Leave the politically correctness out of here.
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Jul 25, Mark Schloemer rated it it was ok. This review has been hidden because it contains spoilers. To view it, click here. I am an avid Hemingway amateur historian. The lead up was seemingly researched, but by the end of plus pages we are left with few facts. Dearborn undoubtedly spent untold hours res I am an avid Hemingway amateur historian. Dearborn undoubtedly spent untold hours researching the basis of the biography, only to seemingly take a sabbatical prior to a professional historical ending.
Is it worth reading? Jul 23, Jane LaFazio rated it liked it. I would give this a 3. I read the whole thing, but some of it was overly detailed and the timeline sometimes got convoluted. I loved other parts, like when he was in Paris with Fitzgerald and Stein. The book was VERY thorough. What came across so strongly was that the author didn't like Hemingway, the man, at all. She gave plenty of reasons for him to be unlikeable, true, but it made for kind of dreary reading.
I've been to Hemingway's Key West home, to his Cuban home and to his birthplace in Oak Park, Illinois, and now, frankly, I feel like I know a bit too much about him, after reading this book. There are no discussion topics on this book yet. Books by Mary V.