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Anne Imhof describes herself first and foremost as a painter. The image she creates encompasses painting, installation art, sculpture, sound, and performance. There is something quite cinematic or virtual in how she brings together those various components. Because of the new possibilities of digital editing and the sheer quantity of visual material in circulation, the significance of the image has changed dramatically.

It is no longer about individual motifs or the materiality of a sole image.

Lehr, Claus-Michael 1961-

Rather, the image is always already composed of a panoply of other images. In this regard, I find the concept of the postcinematic quite interesting. In light of the contemporary importance of biopolitics, re-engaging with the body and corporeality will become ever more important.

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There is an immediacy to performance that affects us precisely because our access to reality is heavily mediated. To what extent do you agree with that view?

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And if so, could you elaborate on it and give an example? I think that is indeed the case. The body, not least in the way in which it becomes an object of capitalism, is a vector of these power structures. Never before could power be projected with such speed, which makes it harder than ever to pin it down. We need to challenge the new mechanisms of control through new conceptions of the body in order to develop an adequate political language and plan for action.

In her performance works, Imhof creates a kind of script that lays out gestures and motion sequences in minute detail. There is a sense that power structures are lurking in the background, invisible to the audience; in this, there are interesting parallels to social codes.

At the same time, the performers consciously break with the strictures of the script and begin to improvise. The resulting tension is deeply engrossing. Alongside these moments of other-directedness, the individuality of each performer really comes to the fore. Joseph von Lauff: Books, Biography, Blogs, Audiobooks, Kindle

It reveals the power structures and encodings at work in society and the manner in which they shape our body through technology and pharmacology. Still, a resistance persists in gestures small and grand. They constantly seem to strive for their transformation into consumable images. Media representation is innate to these bio-techno-bodies: What is your take on this reading? Share your thoughts with other customers.

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