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Instead, endings are ambiguous, if not downright depressing, and the boy barely gives the girl a second glance. Kessler makes the point that it is impossible to examine and cogently analyze the creative choices made in films such as Godspell —everything from narrative structure, set design, and the deployment of song and dance—unless one understands the context in which these films were made.

Destabilizing the Hollywood Musical: Music, Masculinity and Mayhem

Yet while Kessler is clearly very well versed in film theory, she is less thorough in her understanding If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click 'Authenticate'. View freely available titles: Book titles OR Journal titles.

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As her title suggests, Kessler dedicates a good portion of her book to discussing the male mystique in post movie musicals. If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click 'Authenticate'.


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Jul 24, Amanda rated it liked it Shelves: Kessler turns a critical eye to the musicals of the period with a lengthy epilogue covering the s to the present and makes a step toward revising the standard history of the Hollywood musical, which states that the genre died after the s. While Kessler utilizes a method of genre study that I don't find particularly useful, and while some of her examples are not quite as well chosen as they might have been, she does identify a number of significant and important trends within Kessler turns a critical eye to the musicals of the period with a lengthy epilogue covering the s to the present and makes a step toward revising the standard history of the Hollywood musical, which states that the genre died after the s.

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While Kessler utilizes a method of genre study that I don't find particularly useful, and while some of her examples are not quite as well chosen as they might have been, she does identify a number of significant and important trends within the genre in the post-studio period. Although I don't fully agree with all of her conclusions, I appreciate the attention she is giving toward an under-researched period of the genre's history and the fact that she argues against the idea that the post-studio era musical is somehow less worthy of scholarly attention.

Verthandi Wonka rated it really liked it Jun 22,