Manual Oeuvres de James Darmesteter (French Edition)

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Pour plus d'informations, rendez-vous sur www. We will send you an SMS containing a verification code. Please double check your mobile number and click on "Send Verification Code". Enter the code below and hit Verify. Free Shipping All orders of If Italy was the creative force behind An Italian Garden, the rhythms of Paris inflect the tonality of her poetics in Retrospect. It is a poem that writes with composure about depression, ennui and heartbreak:.

All round the city vast and loud and gay! No mute and frozen Chasm of the heart? The visual arrangement of the lines makes the first line of each stanza stand alone, like a thin crust, underneath which lies the melancholia of the present. Phonically and emotionally the weight of the poem rests in lines 2 to 4 of each stanza.

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It is as if the poet might break through the thin ice and drown in the river, pulled in and seduced by the potency of the sentiment. Instead of using the English pronunciation, Robinson uses the French pronunciation to force the word to fit the structure of her rhyme: Robinson here uses the season of spring, which appears in the poem as something that is real, ideal and symbolic, to affirm her condition as a foreign poet.

I pause awhile and sigh. The reader is not sure which foreign spring she is referring to. Does the poet now feel the English spring as foreign or is she a foreigner in the French spring the poplar-tree is not native to Britain. And yet what this retrospective poem suggests, particularly in the last stanza, is that just as the poet mourns the absent past, it also becomes clear that it is the angst of her foreign condition empowered by her memory of things past that becomes the source of her modern poetics.

The Saturday Review offered a nuanced reading of the poem: But this well-conceived sonnet is, by want of the delicate verbal tact which Miss A.

Oeuvres de James Darmesteter

Robinson had accustomed her readers to consider one of her gifts natural and enhanced by cultivation, sadly lessened from what it might have been. Souvenir has never become an English word, and of that ground is out of place; but the misfortune is that it is one of those too familiar French words which, hackneyed and vulgarized in the company-manners vocabulary of half-educated English persons, are, when employed in conjunction with English, accepted in only one recognized meaning—a meaning in some cases mistakenly perverted from the proper French usage, in some cases trivial or downright inane, but at any rate current and inevitable.

And yet, the poem shows Robinson practising in verse what Meynell and Pater were suggesting in prose: But Robinson does so, by adopting the philological tenets of French philology. The poem is a reflection on her youth, which the poet now sees as a mirage. The poem thus begins with the poet seeing the present as a reflection of the past, but ends with the realisation that the past is also an illusion, and therefore can be distorted.

But perhaps the poem that brings together many of the themes of this volume i. The flower of France is the French lily. What first comes to mind is Euripides telling of her self-sacrifice in Iphigenia at Aulis and in Iphigenia in Tauris, where Iphigenia describes herself as the seed of Agamemnon and the flower of Clytemnestra. However, a study of the various scientific names of the lily reveals that another name for lily is Iphigenia pallida, a flower native to India. This connection to sacrifice and to India adds another, more personal and more intellectual, dimension to the poem because it points to Darmesteter, a key scholar of Indian languages and culture.

By wearing this Iphiginia pallida signifying Darmesteter himself next to her heart, Robinson not only affirms her choice of France as her new home, but it also clearly identifies philology as the heart of her decadent poetics. Robinson was one of those poets. Language and the processes of thinking and feeling are united in her use of Latinates.

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Robinson uses the etymological foreignness of the English language as an instrument with which to contemplate the past with distance, creating a remoteness that allows her to speak of the affliction of her soul: In France her reputation would rest on her prose: Perhaps the reviews might have something to answer for. Retrospect got a mixed reception in the American and British press. The New York Times was damming: Despite the damaging review, Tomson softened her critique by admitting: The Bookman 22 July Glasgow Herald 27 May The Saturday Review 26 August B adeni , June.

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  8. Life of Alice Meynell. B ourget , Paul. Essais de psychologie contemporaine. C amlot , Jason. Style and the Nineteenth-Century British Critic: C oates , John. Comparative Literature Studies D armesteter , James. Selected Essays of James Darmesteter. Houghton, Mifflin and Company, D owling , Linda. : French Books

    F averty , Frederic. Matthew Arnold, The Ethnologist. G agel , Mandy. Selected Letters of Vernon Lee Section des Sciences Naturelles. Floral design to endpapers. Published in by F. Text is in French. A study of the Iranian- Persian language. Half leather binding and marbled boards. The Leather is in good condition and tooling crisp. Bertall's avant-propos dated Juillet Spine repaired with the original spine laid on. Front cover now grey and rear cover a plum or purple colour. Paris - Alphonse Lemerre Publication Date: On offer here is a 1st edition copy of 'Menagerie Intime' by Theophile Gautier Theophile Gautier August October was a French poet, dramatist, novelist, journalist, art critic and literary critic.

    The book is in very good condition and retains the original front wrapper. Please see all scans. Due to the Christmas holidays any books sold after the 21st of December will not be sent until early January Spine and boards worn, bookplate of John Clerk motto 'Free For a Blast' , to front pastedown, faint initials to foreword page, otherwise unmarked. Dark green half leather on marbled hardboards. Spine has 5 raised bands, gilt decoration and lettering.

    I think it was produced for use in schools and is a much simplified edition of the one published in that had twice as many pages. It was produced with red calf half-leather with marbled boards and contains pages including index. Book is in lovely condition with just rubbing to the spine ends and corners of back board. Dessine d'apres Nature et Lithographie par Gorse.

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    Andre Gorse was a painter of landscape and genre scenes who participated in the Paris Salon in and thereafter. He also produced many highly attractive lithographic prints depicting the glories of the Pyrenees region in south-western France. Otherwise, very clean interior. Please also see my other rare books for sale, some of which are also in French.. Cloth spine with illustrated paper covered boards.

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    Boards a little bumped and scuffed, spine repaired and the whole re-cased in the original binding with fresh endpapers. Oeuvres de Philippe Desportes.

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    Quarter leather binding with marbled boards. Spine has five raised bands, red and green morocco labels, gilt decorations to panels. Marbled page edges, marbled endpapers. Condition is worn with wear appropriate with the age of the item.