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Touching on issues of language, culture, and national identity, Translation and the Rise of Inter-American Literature is one of the first book-length works in this newly emerging field. Combining theories and histories of literature, translation, reception, and cultural studies, it offers a broad comparative perspective rarely found in traditional scholarship.
Rasico's seventh and most recent book consisting of an in-depth analysis of the evolution of the Catalan language, from the preliterary period through the late Middle Ages, with special attention given to the formation of the phonological system of the language within the comparative context of other Romance vernaculars, particularly those of the Iberian Peninsula and of southern France. The volume contains an important Introduction written by Josep Moran i Ocerinjauregui on the emergence of Catalan as a written language.
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Cervantes in the Middle: Every narrative text will, in some form or another, tell a story. The narrator's or narrators' input into that story will be meaningful in itself. That is, the act of storytelling contains its own story. The reader, then, will note two processes that occur simultaneously: Ultimately, the two elements should be contemplated in unison, as part of a dialectical relation between story and discourse. This subgenre is key, because not only does it underscore the psychological progression of the lead character, but it also combines the intersection of realism and metafiction that will continue in the early seventeenth century in Don Quixote and, to greater or lesser degrees, in all forms of the developing novel.
Don Quixote makes us aware of the process of literary creation by foregrounding readers and writers.
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In the "process," he manages to cover the big picture, dealing with issues such as history and historiography, truth, and human nature. What starts out as satire ends up as an exceedingly knowing and precocious model for the novel—and specifically as a model for experimental narrative. Cervantes in the Middle examines Don Quixote as a continuation of a narrative phenomenon highlighted in the picaresque and continued in later novels.
It suggests that the widespread violent depression and sometimes suicidal melancholy that haunts our culture and society is the result of a terrible fantasy about the way we become ourselves. This fantasy has a matricide at its core, and this matricide will continue to have its depressing effect on us as long as it remains in place and invisible. The authors showcased in this book make visible this fantasy and change it in their works in an effort to bring us out of our depression and melancholy. The genesis of the texts in the volume is in the growing conviction of the editors that, given its vitality and excellence, Latin American literature deserves a more prominent place in comparative literature publications, curricula, and disciplinary discussions.
The editors argue that there still exists, in some quarters, a lingering bias against literature written in Spanish and Portuguese and that by embracing Latin American literature more enthusiastically, comparative literature in the context of comparative cultural studies would find itself reinvigorated, placed into productive discourse with a host of issues, languages, literatures, and cultures that have too long been paid scant attention in its purview.
El Caballero De Olmedo: The book chronicles the issue existence of Lunes de Revolucion, published March 23, to Nov. This book offers a collection of 24 Hispanic short stories by both male and female authors.
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Containing an introduction to the Short Story in both English and Spanish, this collection includes a variety of selections that were chosen for their content, style, and cultural contexts. All selections in this anthology, written by authors from Spain, Cuba, Bolivia, Peru, Ecuador, Argentina, Uruguay, Costa Rica, Venezuela, Mexico, Chile, Puerto Rico, Nicaragua, Colombia, and the United States, demonstrate the common themes of social hierarchy, the power of the imagination, human psychology, gender issues, justice, destiny, and the supernatural.
For readers who are interested in looking comparatively at Spanish short stories. Among the elements that define the classic film noir-chiaroscuro lighting, voice-over narration, and such archetypal characters as the world-weary private eye and the femme fatale-perhaps no element is more responsible for the genre's continued popularity among movie buffs, filmmakers, and critics than the palpable sense of anxiety that emanates from the screen.
Because the genre emerged in the shadow of the Second World War, this profound psychological and philosophical unease is usually ascribed either to postwar fears about the atomic bomb or to the reactions of returning soldiers to a new social landscape.
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In Noir Anxiety, however, Kelly Oliver and Benigno Trigo interpret what has been called the "free-floating anxiety" of film noir as concrete apprehensions about race and sexuality. Applying feminist and postcolonial psychoanalytic theory to traditional noir films Murder, My Sweet; The Lady from Shanghai; Vertigo; and Touch of Evil and the "neo-noirs" of the s, s, and s Chinatown, Devil in a Blue Dress, and Bound , the authors uncover a rich array of unconscious worries and desires about ambiguous sexual, racial, and national identities, often displaced onto these films' narrative and stylistic components.
In particular, Oliver and Trigo focus on the looming absence of the mother figure within the genre and fears about maternal sexuality and miscegenation. Drawing on the work of Freud and Julia Kristeva, Noir Anxiety locates film noir's studied ambivalence toward these critical themes within the genre's social, historical, and cinematic context.
Kelly Oliver is professor of philosophy and women's studies and Benigno Trigo is associate professor of Hispanic languages and literature, both at Vanderbilt University. Oliver is the author of five books, including Witnessing: Beyond Recognition Minnesota, Trigo is author of Subjects of Crisis: Race and Gender as Disease in Latin America Court Interpreters in the Judicial Process.
The University of Chicago Press The Bilingual Courtroom deals with aspects of linguistic pragmatics, specifically, legal discourse from the perspective of U. Latinos who appear in court. Using a variety of data-gathering approaches e. She demonstrates that the presence of a court interpreter in judicial proceedings makes a difference in the way that those proceedings are carried out. As lawyers, judges, witnesses and defendants interact with the interpreter, mock jurors form judgments about persons testifying on the witness stand as well as about the lawyers who are questioning them.
The research reveals that the court interpreter plays a crucial role in judicial proceedings, one that can make the difference between a witness or defendant appearing convincing, trustworthy, competent, and intelligent, or not. Michel Foucault's theories have played a powerful role in the intellectual life of Latin America. Within Latin American studies such concepts as the consciousness of the intellectual elite letrados , the archive novel, the foundational fiction, and self-writing--all indebted to Foucault--are now the common currency of critical analysis.
Foucault and Latin America is the first volume to trace the influence of Foucault's theories on power, discourse, government, subjectivity, and sexuality in Latin American thought.
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Earl Fitz , Jorge Amado: New Critical Essays, sixteen of the world's leading Latin American Studies scholars provide a comprehensive survey of Amado's works, addressing his religion and his revolution, his portrayals of women, his place in postmodern reconstruction, and his legacy in Brazil. Originally published in two parts in and , Don Quixote stands as Cervantes' belated but colossal literary success.
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A work which has achieved mythic status, it is considered to have pioneered the modern novel. Don Quixote, a poor gentleman from La Mancha, Spain, entranced by the code of chivalry, seeks romantic honor through absurd and fantastic adventures. His fevered imagination turns everyday objects into heroic opponents and stepping stones to greater glory; each exploit serves as a comic, yet disturbing commentary on the psychological struggle between reality and illusion, fact and fiction.
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